Nothing ushers in the festive period like a film about a well-publicised (fictional) abortion tussle. Although I should say, it’s my fault this one falls on what should be the beginning of Christmas Movie Month.… More
It’s still November yet the John Lewis ad has already aired and I’ve been harrassed more than once by Olaf the Snowman from Frozen in the Open Market. I’m no Grinch but I do draw the line personally at embracing the Christmas Spirit before December 1st. If you’re an early Christmas lover then that’s fine, you do you hun.
I have had more than one conversation about the darker side of Christmas though and even though I don’t want to be ‘that guy’, I do think it’s important to acknowledge and understand that not everyone is full of the joys of Rudolph this time of year. The Christmas season is incredibly difficult for many people for many different reasons – and the relentless onslaught of Mariah Carey holiday songs can take its toll (is there more than one actually?). Everywhere you look when you’re not feeling it is a homage to the big man and his pals – it must be unbearable.
This very topic came up at work yesterday as a collection of us gathered around one of our phones to watch an ‘alternative’ Christmas video. You might have seen it yourself on television as its creators have been interviewed a couple of times and lots of viewers are saying it’s even better than the Elton John JL advert this year.
The concept is simple in itself, and features a thirtysomething man listening to cassette tapes on an old Walkman, left to him as a gift by his late mother. Each tape is a touching personal message recorded for him for every year she was able to do it. Its tagline is “Love is a gift that lasts forever. Merry Christmas.”
Most of us were near tears even talking about it but a couple of people pondered why we have to think about sad things at Christmas – which prompted quite an interesting debate. While I get that point, it’s not a choice for a lot of lonely or bereaved people. There are people with nothing in this world, who barely get through their day to day lives, let alone the festive season. Just because everything is sprinkled with a light dusting of glitter does not mean that those troubles go away.
This isn’t a call to arms really. There are a lot of things you can do to give back this Christmas, from volunteering to reaching out to someone who may be struggling. Even just standing up and saying you’re there for your friends and colleagues if they need anyone can be a good thing. I’ve seen a couple of Facebook statuses over 2018 that touch on that same point.
Life is tough at the best of times and Christmas is hard – it’s financially stressful, socially exhausting and there’s a lot of pressure to pull on your favourite ugly sweater and get into the spirit. What if you can’t? I just think we should be conscious of each other and kind wherever we can be.
What are your thoughts?
In the meantime, have a look at Love is a Gift, the short film mentioned above.
It’s that time of the year again. Time to gaze into the navel of my birthday and give thanks to the past year. This isn’t quite as epic a milestone as last year obviously but it’s still been a pretty sweet ride.
40 has been good to me. I’ve done a lot of cool things, including two trips, fallen in love with Margate and spent a lot of time with a lot of good people. I’ve made some great new friends, enjoyed time with old ones – I’ve had fun at work, put myself forward for a new role which didn’t work out (but I’m quite pleased about that). I’ve been creative, I’ve been lazy – I’ve spent a lot of money, faced some fears, cried some tears. It’s been a well-rounded year and I’m grateful for it.
I love my life and even when I put myself down for being old (every single day of my life), I wouldn’t change a thing. I’m a wise woman with a wealth of life experience and better still, I’m still learning every day. I might be who I am but there’s always room to undulate and grow.
Here’s to reaching Level 41 tomorrow. I can only hope that it’s as eventful and as fun as the last.
Free for all month and I went a little rogue this week, pulling this delightful documentary from my Netflix list. I didn’t really know what to expect but I’m glad I chose it to be honest as it is a delight.
I will say though that I find reviewing documentaries slightly harder than your average film and I’m not sure why. I guess it’s harder to snark on real life experience? Who knows.
In 1992, teenager Sandi Tan and her friends Sophie and Jasmine shot Singapore’s first indie-a road movie called “Shirkers” with their enigmatic American mentor, Georges Cardona. Sandi wrote the script and played the lead, a killer named S. After shooting wrapped, Georges vanished with all the footage!
It’s 1992 and Sandi Tan and her two friends Sophia and Jasmine are shooting Singapore’s first indie road movie, a film called Shirkers. Focusing on pro/ant-agonist serial killer “S”, the film is a oddball ride full of spirited amateur performances, dream-like imagery and a Technicolor palette. Buddy Ben has composed a companion soundtrack and things are looking good for our budding film makers, not least Sandi whose lifelong dream has been to make a movie.
With the help of their director, the much older Georges Cardona, the film is finally completed but not without its issues. Just before shooting ends, Georges runs out of cash, and Jasmine and Sandi are forced to pool all their savings to save production. But they get there and as the movie wraps, the trio return to their respective international universities, leaving Georges behind in Singapore.
Sandi waits patiently, day after day for the finished film to makes it way to her in Canterbury, England where she attends school. What arrives is a voice cassette from Georges in his usual enigmatic style, not explaining much regarding the film. Later she receives what she thinks is the film but is actually completely blank footage (not even more like constant static snow). All the blood sweat and tears the friends have put into their project seems to have been for nothing – and they never see or hear from Georges again.
Shirkers the documentary picks up 20 years later, when Sandi receives an email from Georges’ widow (ten years after he’s passed away), saying that she’s in possession of all the footage minus the audio tracks. Following this bombshell, Sandi decides to take the footage and use it differently, by making this documentary and unraveling its unknown history. The story is an intriguing one after all.
As she interviews her pals and the original cast and crew of Shirkers, we’re treated to a full picture of who they were and particularly the person Sandi was and is now. At times her friends describe her as kind of an asshole something she accepts as the truth. This project it turns out has bonded the friendships in a way nothing else has but has also tested them to their limits. All three women are successful in their fields and there’s no surprise there – these are 18 years olds that wrote, acted in and produced their own movie. Basically, I want to be them and if not then at least a hanger on, they’re brilliant.
We also learn more about their relationship with Georges, Sandi’s super-shady mentor. The man is odd AF and there’s a sinister air to a lot of the film where he’s concerned. It’s never really clear what his intentions are and I don’t know about you but it makes me feel funny when I see an older man hanging around with young women, especially when he takes one of them on a road trip across America.
We never really find out why he did what he did but by piecing together a collection of people with similar Georges experiences, it soon becomes clear that he was a jealous man who sabotaged his proteges when they started to get successful. And personally I find that motive incredibly interesting.
This film won the World Cinema Documentary Directing Award and I’m not surprised. It is an intriguing tale of stolen dreams and regret, and of determination. It has an ominous tone that makes you wonder where it’s going to go and when the story does unfold, it’s pretty mental. I really admire the girls, particularly when it transpired that they forced all the women in their film to smoke cigarettes for the aesthetic. This is something Jill and I would undoubtedly do if we made our own movie.
What does Jill think of this little mystery? Would she steal it and store it in her basement for 20 years or just let it live? Find out here.
I’m not too proud to admit I turned to the internet for inspiration this week. It’s not that I don’t have my own ideas or experiences to chat about but sometimes it’s good to branch out a little and take your lead from someone else. Hence this little bad boy, which was actually fun to fill in. I found it via a blog called A Grande Life. Continue reading “A to Z of Advice”
Blogging has been sparse since the wonderful #blogtober wrapped up and I don’t really like that, so I’m setting myself some writing goals for the next couple of months.
November is half done of course so I’ve been slack as usual but it’s never too late to pull it together. I’ve got plans for #blogmas too, my own take on bloggers fave #vlogmas. Continue reading “Plan B”
Things are feeling a little gloomy all round (on both sides of the Atlantic) so Jill chose this charming little underdog indie to cheer us both up. Frankly, any movie that starts with Heart & Soul by T’Pau and has Geena Davis as a spiritual guide to our protagonist is going to be A-OK with me. Continue reading “Don’t Talk to Irene (Film) Review”
Jill and I have settled on a Free for All month for November because December will most likely be Shit Christmas TV Movies month. Look, we’re not machines and thinking of themes every month is hella difficult. So movies from our wish lists it is.