Or La femme la plus assassinée du monde (original title)
Not much preamble today but I will say this. This film is very French and very confusing. Beautiful though.
Paula Maxa is the Parisian Grand Guignol Theatre’s leading lady, famous for being murdered on stage every day. But is there a link between the theatre and a series of gruesome real-life murders?
Um. Let’s not rely on anything I say here in this review, I may well have the wrong end of the stick. Paula Maxa (Anna Mouglalis) is a beloved by some, hated by a lot actress at the Grand Guignol Theatre in good old gay Paree. She’s been slaughtered on stage more times that she’s had hot dinners and relies on stage-hand Paul (Jean-Michel Balthazar) to make it look as real as possible.
The theatre itself is run by some right oddballs who seem to have a very bizarre arrangement in place. Although the shows they put on nightly seem to do alright there is a very real threat on the horizon: the birth of cinema.
When journalist Jean (Niels Schneider) arrives to interview Paula, a friendship is formed and there’s possibly something more a-brewing, though our girl is rather closed off. Via Paula’s own mouth we learn about the terrible secret that haunts her – the very driving force that keeps her screaming night in, night out. Meanwhile, there seems to be a plot to turn Paula over for real to a mysterious gentleman who might have a connection to her past… What the devil is that all about?
TMAWITW is gorgeous looking. It seems to capture the time period perfectly. All the costuming is wonderful and Paula’s supporting actresses are a lot of fun. Mouglalis is soulful as Paula, a haunted woman with a sad story, one that revolves around the death of her sister at the hands of a very bad man – and her inability to do anything to save her.
Guilt is a powerful emotion and it eats at Paula, who stays at the theatre as some sort of penance. Here she can scream as much as she likes, something she failed to do to save her sister’s life. When Jean arrives to offer her a way out, she’s torn. Can she leave this place and make it in Hollywood?
The ending is a little bit confusing, I won’t lie. But it doesn’t really matter. It didn’t spoil my enjoyment of this movie, which has some suspenseful moments and really is wonderfully OTT. The murders on stage are gloriously bat-shit and the audience laps it up. They come complete with bibs to capture the splashes of blood that coats everything around them.
Ooh la la!